Interview

Perihan Magden: 'Luckily, no one knows my face'

September 2008 -

Perihan Magden is both loved and feared in Turkey. Every morning she shakes her readers awake every morning with dead-sharp analyses and witty remarks. However, she must also pay the price.

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Aurelio Martínez: 'I want to turn the tide with my music'

August 2008 -

Aurelio Martínez is one of the most important ambassadors of the Garifuna music that is slowly but surely overtaking the world.

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'Espacio Aglutinador makes space for independent art'

July 2008 -

In her house in Havana, curator Sandra Ceballos organizes artist in residence projects and pioneering exhibitions.

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Binyavanga Wainaina: 'We want to show the world how we view ourselves'

July 2008 -

Against all odds, the Kenyan writer Binyavanga Wainaina sometimes tries to correct the traditional image of Africa in the media.

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Togara Muzanenhamo: 'Poetry offers enormous satisfaction'

July 2008 -

Poet Togara Muzanenhamo sees an opportunity in Zimbabwe for a new generation of performance poets, but he prefers to remain on the sideline himself.

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Okwui Enwezor on Snap Judgments, contemporary African photography

July 2008 -

According to Nigerian/American curator Okwui Enwezor, photography plays an important role in African society.

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Claudio Valdés Kuri: "The chaos in Mexico gives much freedom"

June 2008 -

Claudio Valdés Kuri is considered one of the best Latin American theatre directors. His group Teatro de Ciertos Habitantes attracts packed houses all over the world with its headstrong productions.

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Theatre-maker Rosten Abel: "Indian actors are much more uninhibited"

June 2008 -

Indian theatre-maker Roysten Abel created in 1999 an Othello adaptation that has since become a success throughout the world.

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Film supports Quilombolas emancipation in Brazil

May 2008 -

The Brazilian documentary maker Felipe Peres Calheiros recorded a unique trip of descendants of runaway slaves.

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"I saw Algeria again as it was thirty years ago"

May 2008 -

Now that there is more peace and quiet in his native country, film maker Amor Hakkar sees space for the personal in Algerian cinema. In La Maison Jaune he shows the mourning process of a rural family which suddenly loses its eldest son.

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